Daniel Pizappi (Univ. of TN) - “‘nothing left but the knowledge that it had been taken away’: Itinerancy and Exile in Elizabeth Madox Roberts and Sonora Babb”
Gisèle Sigal (Universitè de Pau, France–IUT de Bayonne) - “Journeying out in the wilderness: Transition and Transposition in Elizabeth Madox Roberts’ The Great Meadow and Harriette Arnow’s The Dollmaker”
Michael Beilfuss (Missouri Southern State University) - “‘His words ... made strong pictures’: Narrative and the Ethics of Attention in Elizabeth Madox Roberts”
Autumn Holladay (MSIS at UAlbany) - “On the Radio and On the Screen: Elizabeth Madox Roberts and Other Media”
Jane Dionne (Independent Scholar) - “Life dictates Art, Art depicts History: EMR’s KY through its Artists...In Her Time”
Evan Hulick (CUA) - “Meditations on Life and Death in The Time of Man and H.R. Stoneback’s Voices of Women Singing”
Eleanor Hough (Univ. of KY) - “She hated her for the pain”: Reproductivity and Childbirth in The Time of Man
Kimberley Sanford (SUNY New Paltz) - “Frontier Women: Regional Modernism in Willa Cather and Elizabeth Madox Roberts”
Nathan Lee (UL Lafayette) - “‘Against the blue of the welkin’: on ‘Loss’, Revival, and Weirdness in Jingling in the Wind”
Joshua Briggs (Pace University School of Law) - “No Laws of Man: Natural Law, Natural Disasters, and EMR’s Flood”
Joseph Curra (SUNY New Paltz)
Alex Pennisi (Culinary Institute of America) - Strange Traces in Not by Strange Gods: the History of Kentucky Theater and The Donner Party in “I Love My Bonny Bride”